The process of perfect creation, which I first understood in Paris, is not to start with design drawings, but to lay the fabric on a wooden mannequin and use a mirror to interact with the fabric.
Instead of going from 2D to 3D, create 3D from the beginning. A dress whose expression changes depending on the movement of the body. Like Madeleine Vionnet said,” If a woman smiles, her dress must also smile.”