Author: Fukuko Ando
In front of the mirror, I work with the wooden mannequin on which I directly sculpt the dress form by the fabric. The dress has 360 degrees awareness.
Ando’s work is based on a simple proposition : ” Each person has a body.
The body expresses a person’s story and history, the dress is a language the expresses that body , the human body and the dress are both founded on the same principle: constant, unbroken perception “
Fukuko Ando
Museum of Decorative Arts
Visions of the Body
Fashion is starting a new dialogue with the body, that is, the inner side of the wearer, and the function and sense of the body itself. Various researches are undertaken today in the realm involving ” the body”, the most fundamental issue concerning the existence of human beings. With the collection of modern dresses from the Kyoto costume institute.
( Fukuko Ando )
Tokyo and Kyoto
Visions of the Body 1999
Paintbrush
Ballpoint pen
Notre Dame Y
I made this dress inspired by Notre Dame de Paris in 1994
( Notre Dame X and Notre Dame Y )
Made of purple velvet
Year / 1994
#knottechnique #notredame #purplevelvetfabric
The truth of the dress is not the detail…
but the movement of the dress in time and three-dimensional space.
This is how I drew the soul of the dress that I created.
( Fukuko Ando )
DWM Mexico
Biennale Paris
The Paris biennale 2004 can be defined as the continuation of the Paris Biennale launched by Raymond Cogniat in 1959 and set up by André Malraux as he was Minister of Culture, and which ended in 1985. The target of that exhibition was to present an overview of young creativity worldwide, to create a place of experiences and meetings.
///
Atelier Richelieu
“The Path of Light”
2004
Photos: Michael Wayne Plant
Special Thanks To: Juan 2Santos
Sayoko Kobe Fashion Museum
Its theme is Sayoko Yamaguchi, who was praised as a dramatic emergence of ” Beauty” for her beautiful yet powerful and supple expression of movement when she appeared as a model at the first Paris prêt-à-porter collection in 1972. Her life-sized mannequins with movable joints wear dresses, synchronize with dresses, and breathe with dresses in a moving space as time slowly goes by.
Kobe Japon – 2001
Fukuko Ando
Phoenix
( Fukuko Ando )
In the 21st century
What can you share?
Everything has come to end and has been reborn.
Renaissance.
I can say with much gratitude and happiness.
Now,
Only who you are in true.
A Phenix,
I would like to see you reborn.
An open heart, a released body, a freely flying phenix.
Love,
New love is growing in you
With deeper understanding and stronger senses.
You accept everything with a smile on your face.
21st century,
I am happy it we can share a much deeper and broader love.
Ionic columns in Pershing Hall – Paris reminded me of a Greek temple
( Fukuko Ando )
Like the future stars of the Pleiades, growing like new plants from the earth, swaying in the wind of ancient mythology
Pleiades : Seven Sisters
Seven Sisters
Seven Souls
Seven Souls live in you
The first dwells at the tips of your toes
While the second to the sixth swirl round you,
Up to your crown
The seventh abides still higher
All seven pulsate with life
Truth – Exists. CELAENO
Love-Grows. STEROPE
Harmony-Moves. TAYGETA
Awareness-Creates. ELECTRA
Peace-Rests. MAYA
Happiness -Transcends all. MEROPE
Plenitude-Eternal Joy AlCYONE
Seven Sisters
Seven Souls
We are different
We are ONE
Pleiades Pershing Hall
Fukuko Ando
Champs Elysées – Paris
Year: 2006
Juan 2Santos / Artistic Direction
Luigi Migani / Dolls Photos
Michael Wayne Plant / Exposition Photos
Jorge Govea / Sound Design
Fxballéry / Scenography
Naomi Lebbadi / Photo And Design
Kiki de Salvertes / ℅ Totem Contact Press
Special Thanks to:
Swarowsky / “Satya” Crystal Decoration Dress
Anne Brancaleone
Corinne Martinez
Philippe Saugier
Carole Belenus
Philippe Test
Muriel Elinger
Irène Tsuji
Katrin Hanneschläer
Photos:
Michael Wayne Plant
Biennale de Paris
The Paris biennale 2004 can be defined as the continuation of the Paris Biennale launched by Raymond Cogniat in 1959 and set up by André Malraux as he was Minister of Culture, and which ended in 1985.
( Fukuko Ando )
The target of that exhibition was to present an overview of young creativity worldwide, to create a place of experiences and meetings.
FASHION SHOW / Year: 2004
Special Thanks To: Juan 2Santos
Photos: Michael Wayne Plant
Unique Piece Collection
The Golden Promise
I took part in the Paris Fashion Week prêt-à-porter 2006 edition, with a performance by Opéra de Paris Dancers.
( Fukuko Ando )
I named this show “Golden Promise” with the wish of eternal creation.
The golden light is shining forever
Fashion show Performance ‘’The Golden Promise ‘’ Paris 2006
École Nationale Supérieure des Beaux-Arts – Paris
2006
Special Thanks to:
Dancer Opera House Paris :
Marie-Agnès Gillot / Danseuse Étoile /
***
Charlotte Ranson
Miteki Kudo
Eve Grinsztajn
Ninon Raux
Charline Giezendanner
Sabrina Mallem
Aurelia Bellet
Emilie Hasboun
Beatrice Martel
Laurène Lévy
Amélie Lamoureux
Myriam Kamionka
Juliette Aérop
Audrey Aubert
Franck Berjont / Choreographer and Director
Jorge Govea ( Wakal ) / Live Music and DJ set
Juan 2Santos / Artistic Direction
Fabienne Larcher / 1st Art Direction Assistant
Make up / Kim Bourhila and Shu Uemura
Le Masque de Nô
Nô mask has been neglected for a long time.
In the sculpture garden of Yasuo Mizui in Lacoste, France, a dancer wearing the kimono of his first wife, Kiyoko, and wearing Nô mask that Yasuo had preserved.
In a forgotten garden, Nô mask sometimes cries, laughs, and gets angry.
The fantasy memory begins to move with sculptures, Nô mask, and kimono.
( Fukuko Ando )
Franco -Japanese Collaboration
FRANCE
Year / 2016
Kumano Kodō
The Kumano Kodō is a series of ancient pilgrimage routes of Japan. It is the path of the wisdom and patience of the old, and some trees are more than 800 years old.
( Fukuko Ando )
In that space, a dancer wearing a yellow “wisdom of light” dress concentrates her soul and has a conversation connecting with “the pilgrim’s wisdom” in space and time.
(熊野古道)
Franco-Japanese CollaborationA French Performance:
**Sacred Places**
JAPAN
Year / 2017
Kumano Kodō
(熊野古道)
Performance
Franco-Japanese Collaboration
A French Performance: Sacred Places
Place: Kumano Kodō / Japan
https://www.google.fr/maps/place/Matsumoto+Pass+trailhead+Kumano+side+(Kumano+Kodo+Iseji)/@33.8158726,136.0752694,11z/data=!4m8!1m2!2m1!1sKumano+Kodo!3m4!1s0x600670ef11bc4781:0x72858d80321f6224!8m2!3d33.893818!4d136.1071113
Performance: Soluna de Cock (France)
Dress: Fukuko Ando (Japan)
Date: 17th October 2017
www.12robes.com
Amanohashidate
The Myth of the Floating Bridge in the heavens there are legends stating that Amanohashidate was originally a ladder used by the god Izanagi No Mikoto to visit his lover the goddess Izanami No Mikoto (Izanagi No Mikoto and Izanami No Mikoto are the gods credited with the creation of Japan)
( Fukuko Ando )
Legend has it that the ladder fell out of the sky into the ocean and became Amanohashidate.
( 天橋立)
Franco-Japanese Collaboration
A French Performance:
JAPAN
**Sacred Places**