Truth – Love
( Fukuko Ando )
Made of silk muslin
Year / 2005
In front of the mirror, I work with the wooden mannequin on which I directly sculpt the dress form by the fabric. The dress has 360 degrees awareness.
Ando’s work is based on a simple proposition : ” Each person has a body.
The body expresses a person’s story and history, the dress is a language the expresses that body , the human body and the dress are both founded on the same principle: constant, unbroken perception “
Fukuko Ando
New alchemy is transformation by fire and water.
( Fukuko Ando )
Fire burns with the soul of water.
Water moves with the heat of fire.
There is new alchemy as light and shadow constantly cross and fuse.
Franz Mayer Museum
( Mexico CDMX 2014)
Made of Crystal Swarovski, silk satin, silk muslin and sequins,
Year / 2008
The window display of a hotel on Faubourg Saint-Honore, behind the “Place de la Concorde in Paris”
( Fukuko Ando )
A place with the cruel guillotine history of Marie-Antoinette.
I wanted to present it as the rebirth of the Paradise of Light.
Exhibition: New Eden at hotel le Faubourg- Paris
Made on Crystal / 2007
Fashion is starting a new dialogue with the body, that is, the inner side of the wearer, and the function and sense of the body itself. Various researches are undertaken today in the realm involving ” the body”, the most fundamental issue concerning the existence of human beings. With the collection of modern dresses from the Kyoto costume institute.
( Fukuko Ando )
Tokyo and Kyoto
Visions of the Body 1999
I made this dress inspired by Notre Dame de Paris in 1994
( Notre Dame X and Notre Dame Y )
Made of purple velvet
Year / 1994
The truth of the dress is not the detail…
but the movement of the dress in time and three-dimensional space.
This is how I drew the soul of the dress that I created.
( Fukuko Ando )
The Paris biennale 2004 can be defined as the continuation of the Paris Biennale launched by Raymond Cogniat in 1959 and set up by André Malraux as he was Minister of Culture, and which ended in 1985. The target of that exhibition was to present an overview of young creativity worldwide, to create a place of experiences and meetings.
///
Atelier Richelieu
2004
“The Path of Light”
Kobe Japon – 2001
Fukuko Ando
Phoenix
( Fukuko Ando )
Ionic columns in Pershing Hall – Paris reminded me of a Greek temple
( Fukuko Ando )
Like the future stars of the Pleiades, growing like new plants from the earth, swaying in the wind of ancient mythology
Seven Sisters
Seven Souls
Seven Souls live in you
The first dwells at the tips of your toes
While the second to the sixth swirl round you,
Up to your crown
The seventh abides still higher
All seven pulsate with life
Truth – Exists. CELAENO
Love-Grows. STEROPE
Harmony-Moves. TAYGETA
Awareness-Creates. ELECTRA
Peace-Rests. MAYA
Happiness -Transcends all. MEROPE
Plenitude-Eternal Joy AlCYONE
Seven Sisters
Seven Souls
We are different
We are ONE
Pleiades Pershing Hall
Fukuko Ando
Champs Elysées – Paris
Year: 2006
The Paris biennale 2004 can be defined as the continuation of the Paris Biennale launched by Raymond Cogniat in 1959 and set up by André Malraux as he was Minister of Culture, and which ended in 1985.
( Fukuko Ando )
The target of that exhibition was to present an overview of young creativity worldwide, to create a place of experiences and meetings.
FASHION SHOW / Year: 2004
I took part in the Paris Fashion Week prêt-à-porter 2006 edition, with a performance by Opéra de Paris Dancers.
( Fukuko Ando )
I named this show “Golden Promise” with the wish of eternal creation.
The golden light is shining forever
Fashion show Performance ‘’The Golden Promise ‘’ Paris 2006
2006
École Nationale Supérieure des Beaux-Arts – Paris
Special Thanks to:
Dancer Opera House Paris :
Marie-Agnès Gillot / Danseuse Étoile /
***
Charlotte Ranson
Miteki Kudo
Eve Grinsztajn
Ninon Raux
Charline Giezendanner
Sabrina Mallem
Aurelia Bellet
Emilie Hasboun
Beatrice Martel
Laurène Lévy
Amélie Lamoureux
Myriam Kamionka
Juliette Aérop
Audrey Aubert
Franck Berjont / Choreographer and Director
Jorge Govea ( Wakal ) / Live Music and DJ set
Juan 2Santos / Artistic Direction
Fabienne Larcher / 1st Art Direction Assistant
Make up / Kim Bourhila and Shu Uemura
Nô mask has been neglected for a long time.
( Fukuko Ando )
In the sculpture garden of Yasuo Mizui in Lacoste, France, a dancer wearing the kimono of his first wife, Kiyoko, and wearing Nô mask that Yasuo had preserved.
In a forgotten garden, Nô mask sometimes cries, laughs, and gets angry.
The fantasy memory begins to move with sculptures, Nô mask, and kimono.
Franco -Japanese Collaboration
FRANCE
The Kumano Kodō is a series of ancient pilgrimage routes of Japan. It is the path of the wisdom and patience of the old, and some trees are more than 800 years old.
( Fukuko Ando )
In that space, a dancer wearing a yellow “wisdom of light” dress concentrates her soul and has a conversation connecting with “the pilgrim’s wisdom” in space and time.
(熊野古道)
Franco-Japanese CollaborationA French Performance:
**Sacred Places**
JAPAN
Kumano Kodō
(熊野古道)
Performance
Franco-Japanese Collaboration
A French Performance: Sacred Places
Place: Kumano Kodō / Japan
https://www.google.fr/maps/place/Matsumoto+Pass+trailhead+Kumano+side+(Kumano+Kodo+Iseji)/@33.8158726,136.0752694,11z/data=!4m8!1m2!2m1!1sKumano+Kodo!3m4!1s0x600670ef11bc4781:0x72858d80321f6224!8m2!3d33.893818!4d136.1071113
Performance: Soluna de Cock (France)
Dress: Fukuko Ando (Japan)
Date: 17th October 2017
www.12robes.com
The Myth of the Floating Bridge in the heavens there are legends stating that Amanohashidate was originally a ladder used by the god Izanagi No Mikoto to visit his lover the goddess Izanami No Mikoto (Izanagi No Mikoto and Izanami No Mikoto are the gods credited with the creation of Japan)
( Fukuko Ando )
Legend has it that the ladder fell out of the sky into the ocean and became Amanohashidate.
( 天橋立)
JAPAN
Franco-Japanese Collaboration
A French Performance:
**Sacred Places**