In front of the mirror, I work with the wooden mannequin on which I directly sculpt the dress form by the fabric. The dress has 360 degrees awareness.
Ando’s work is based on a simple proposition : ” Each person has a body.
The body expresses a person’s story and history, the dress is a language the expresses that body , the human body and the dress are both founded on the same principle: constant, unbroken perception “
21st century dresses breathe in 18th century decorative art. The religion and aristocracy of the 18th century are fused with eternal dresses beyond time and space.
Fashion is starting a new dialogue with the body, that is, the inner side of the wearer, and the function and sense of the body itself. Various researches are undertaken today in the realm involving ” the body”, the most fundamental issue concerning the existence of human beings. With the collection of modern dresses from the Kyoto costume institute.
The Paris biennale 2004 can be defined as the continuation of the Paris Biennale launched by Raymond Cogniat in 1959 and set up by André Malraux as he was Minister of Culture, and which ended in 1985. The target of that exhibition was to present an overview of young creativity worldwide, to create a place of experiences and meetings.
///
Atelier Richelieu “The Path of Light”
2004
Photos: Michael Wayne Plant Special Thanks To: Juan 2Santos
Its theme is Sayoko Yamaguchi, who was praised as a dramatic emergence of ” Beauty” for her beautiful yet powerful and supple expression of movement when she appeared as a model at the first Paris prêt-à-porter collection in 1972. Her life-sized mannequins with movable joints wear dresses, synchronize with dresses, and breathe with dresses in a moving space as time slowly goes by.
Kobe Japon – 2001
Fukuko Ando
EPSON MFP image
EPSON MFP image
Phoenix
( Fukuko Ando )
In the 21st century What can you share? Everything has come to end and has been reborn. Renaissance. I can say with much gratitude and happiness. Now, Only who you are in true. A Phenix, I would like to see you reborn. An open heart, a released body, a freely flying phenix. Love, New love is growing in you With deeper understanding and stronger senses. You accept everything with a smile on your face. 21st century, I am happy it we can share a much deeper and broader love.
Ionic columns in Pershing Hall – Paris reminded me of a Greek temple
Like the future stars of the Pleiades, growing like new plants from the earth, swaying in the wind of ancient mythology
( Fukuko Ando )
Pleiades : Seven Sisters
Seven Sisters Seven Souls Seven Souls live in you The first dwells at the tips of your toes While the second to the sixth swirl round you, Up to your crown The seventh abides still higher All seven pulsate with life
Truth – Exists. CELAENO Love-Grows. STEROPE Harmony-Moves. TAYGETA Awareness-Creates. ELECTRA Peace-Rests. MAYA Happiness -Transcends all. MEROPE Plenitude-Eternal Joy AlCYONE
Seven Sisters Seven Souls We are different We are ONE
Pleiades Pershing Hall Champs Elysées – Paris
Fukuko Ando
Year: 2006
Juan 2Santos / Artistic Direction Luigi Migani / Dolls Photos Michael Wayne Plant / Exposition Photos Jorge Govea / Sound Design Fxballéry / Scenography Naomi Lebbadi / Photo And Design Kiki de Salvertes / ℅ Totem Contact Press
Special Thanks to:
Swarowsky / “Satya” Crystal Decoration Dress Anne Brancaleone Corinne Martinez Philippe Saugier Carole Belenus Philippe Test Muriel Elinger Irène Tsuji Katrin Hanneschläer
The Paris biennale 2004 can be defined as the continuation of the Paris Biennale launched by Raymond Cogniat in 1959 and set up by André Malraux as he was Minister of Culture, and which ended in 1985.
The target of that exhibition was to present an overview of young creativity worldwide, to create a place of experiences and meetings.
A place near the sky where you can see the Eiffel Tower.
I fitted the models one by one to find one original model who fits one original dress. It overlapped with their youthful purity and my youthful passion.
Franck Berjont / Choreographer and Director Jorge Govea ( Wakal ) / Live Music and DJ set Juan 2Santos / Artistic Direction Fabienne Larcher / 1st Art Direction Assistant Make up / Kim Bourhila and Shu Uemura
Nô mask has been neglected for a long time. In the sculpture garden of Yasuo Mizui in Lacoste, France, a dancer wearing the kimono of his first wife, Kiyoko, and wearing Nô mask that Yasuo had preserved. In a forgotten garden, Nô mask sometimes cries, laughs, and gets angry. The fantasy memory begins to move with sculptures, Nô mask, and kimono.
The Kumano Kodō is a series of ancient pilgrimage routes of Japan. It is the path of the wisdom and patience of the old, and some trees are more than 800 years old.
In that space, a dancer wearing a yellow “wisdom of light” dress concentrates her soul and has a conversation connecting with “the pilgrim’s wisdom” in space and time.
( Fukuko Ando )
(熊野古道)
Franco-Japanese Collaboration
A French Performance:
**Sacred Places**
JAPAN
Year / 2017
Kumano Kodō (熊野古道)
Performance
Franco-Japanese Collaboration
A French Performance: Sacred Places
Place: Kumano Kodō / Japan
https://www.google.fr/maps/place/Matsumoto+Pass+trailhead+Kumano+side+(Kumano+Kodo+Iseji)/@33.8158726,136.0752694,11z/data=!4m8!1m2!2m1!1sKumano+Kodo!3m4!1s0x600670ef11bc4781:0x72858d80321f6224!8m2!3d33.893818!4d136.1071113
Performance: Soluna de Cock (France)
Dress: Fukuko Ando (Japan)
The Myth of the Floating Bridge in the heavens there are legends stating that Amanohashidate was originally a ladder used by the god Izanagi No Mikoto to visit his lover the goddess Izanami No Mikoto (Izanagi No Mikoto and Izanami No Mikoto are the gods credited with the creation of Japan)
Legend has it that the ladder fell out of the sky into the ocean and became Amanohashidate.
( Fukuko Ando )
( 天橋立) Franco-Japanese Collaboration A French Performance: